Embroidery is pared down to its essential lines and gestures. Simple stitched forms trace figures and inner structures with care and restraint. This minimal approach lets the tension in the thread and the fragility of the paper show, making each piece feel both delicate and grounded.

These drawings are made with ink from wild cherries foraged in the forest, the same environment where the subject figures are photographed.

The ink is applied with sea sponges, keeping the surfaces organic and fluid, while figures are outlined with a calligraphy pen. Stains, fading, and irregularities are embraced as part of the work, highlighting fragility and impermanence.

Bent wire figures are mounted on canvas to form simple, linear bodies that exist between drawing and sculpture. The wire bends easily yet holds its shape, creating a sense of quiet strength and restraint. These minimal forms suggest internal frameworks and containment, balancing stability with vulnerability through subtle tension rather than mass.

These works are created using ink made from foraged wild berries, including Saskatoon, Cherry, Raspberry, and Blueberry. The ink is applied with sea sponges, allowing the surface to remain soft, organic, and irregular. Figures are outlined with a calligraphy pen, creating gentle structure within fluid marks. Staining, variation, and fading are embraced as part of the work, reflecting fragility, impermanence, and a close relationship to the natural environment.